Now that you’ve read Part 1–thank you–and know what you need in your kit, it’s time for the rest of the list. This list covers the items I think you need to make your day easier and more comfortable, as well as some essential intangibles. This is just as important as the list in Part 1, so listen up, friend.
Snacks. You can usually get a hold of water on a corporate or commercial set, but the food available (called “craft services” or “crafty” on a film or on a job with people who work in film) may not always be to your liking. I’ve seen it range from tables of crappy junk food to corner of a counter with a few sad looking pieces of fruit and some crackers. I have a gluten allergy and a list of other things that bother me, so I always bring snacks with me. You might want to do the same on set, and at a wedding job if you’ll be there for long enough that you’ll want to eat. Sometimes there’s a big wedding-morning-spread or a bride asks what you want when lunch is ordered, but usually you’re on your own.
Phone Charger. A “full day” on a commercial or corporate set is generally considered to be anywhere from 4 – 10 hours, and it’s not unusual to go over the 10 hour mark. I don’t know about your phone, but mine will start draining battery after a while, especially if I’ve been answering emails during breaks. That’s why I always bring a phone charger to set. As long as the makeup is being done inside (I’ve done my fair share of parking lot, field and garage makeup setups), you should have access to an outlet. If you’re doing a wedding and will be with the bride all day, I would also recommend bringing a charger and plugging it in whenever you can.
The Right Clothing. I’ve worked in freezing cold warehouses, on exterior shoots in January in New England and blazing hot houses in August where the a/c couldn’t be turned on because it would affect sound. And some studios are kept icy cold even in the summer, which is great for the talent because it keeps them from sweating, but unbearable for people like me who get cold if they hold a drink with ice in it for two minutes. So, I suggest bringing a sweater in the summer and if you are going to be in a studio, and always have a jacket with you if you might be outside and temps are cold enough for one. As far as being too hot, tank tops, shorts and sandals are not appropriate for corporate or commercial work, so lightweight clothing is key. At a wedding job, you can get away with a light dress as long as it’s not revealing (and not white!). Sandals are also fine for weddings.
Business Cards. As a makeup artist, you will meet a ton of people. If they are in your chair, you might be having anywhere from a 5 minute to a one hour conversation with them. You might find that the talent you are talking to has a daughter getting married next year who needs a makeup artist, or the bridesmaid you’re clicking with owns a real estate company and wants makeup for marketing photos of her team. You’ll also meet crew members who might work on a future project that needs a makeup artist, and if they have your card, they can easily refer you to a producer. All of these people are unlikely to remember your name (sorry) without a business card, so why risk it?
Contact Info & Parking Instructions. Before you go to any job, make sure you have a contact phone number, parking information, building name or hotel room number and any location/entrance details ahead of time. If you wait until you get to a location to try to find out this information, you might be S.O.L. There’s no reason you can’t request this info a few days before a job. Clients like prepared makeup artists and your stress level will like that too.
A Full Gas Tank. You’ll do some jobs where you stay in one location all day, and others where you drive around to several locations. Unless you know for sure that you won’t be changing locations, make sure you have a full tank (especially if you have a long drive home). I’ve done political campaigns ads that required stops at five different locations in a day, some with 30 minute drives in between. You’re not going to have time to stop for gas in that type of situation. In fact, I don’t even recommend stopping for gas on the way to a job. Why add something your plate the day of when you might need that extra time if you get caught in a traffic jam or the parking lot you were told to park in is full? Fill up the day before and give yourself five points for preparedness.
A Book. On some jobs, you’ll have a lottttt of dead time. You may also be in a location where you have no signal and there’s no WiFi around (like working on a commercial in a field for 12 hours, which I’ve done). Maybe you’d be fine using that time to re-organize your kit, talk to someone (if there is anyone around) or, I don’t know, meditate, but I usually have a book with me in case my phone is useless and I’m in a far away hair and makeup room by myself. That way I don’t die of boredom during an hour-long camera and lighting set up or wedding ceremony (waiting for the bride to get back for a pre-Cocktail Hour touchup).
Set & Wedding Etiquette. This is a monster of a topic. Set etiquette covers who you talk to, when you talk to them, the lingo you use, where to position yourself, when to move, what to wear, etc. If you want to work in film, this is a good read. It’s a little different on a corporate or sometimes commercial job, but these worlds often cross over. There’s no set at a wedding, but there is wedding etiquette. Like say “Happy Wedding Day!” or something similar when you see the bride, don’t wear a white dress, don’t take food or drinks without asking, don’t move things without asking (if you need the space for your setup), don’t talk about breakups/divorces, don’t drink on the job (you will be offered mimosas at some weddings), etc. Some of it is common sense and manners, but you’d be surprised what I’ve seen and heard about from other companies and in reviews I’ve read.
Professionalism. That means always be on time, don’t have inappropriate conversations, don’t take care of personal To Do list at a job, don’t disappear from set or while you’re supposed to be working on clients, invoice accurately, clearly and quickly, etc. You can be the best makeup artist in the world, but if you get a reputation of being unprofessional, you won’t get far. I either have to stop this paragraph here or write 97 more paragraphs about it, so let’s stop.
Between this post and this last one, I think I’ve covered all of the big stuff. Being a makeup artist–at least a successful one–means doing more than evening skintones and filling in eyebrows. It requires preparation, tact and professionalism. The beauty industry has become a very competitive place to work, so my recommendation is to learn everything you can before you start so that you can be more prepared than the other newbie makeup artists. I hope this helped, and I wish you the best of luck in your career.
Starting out as a makeup artist? Welcome to the club! When I started out, I not only had no idea what I was doing but no clue what I needed in my kit. Now I’ve got a fully stocked kit (as well as an overflow bag…and two set bags) and my makeup artist luggage is so heavy I sprained both wrists one summer. So I think I’ve got a good grasp on everything you need for products, tools and supplies.
I will say that what you carry in your kit depends on what part of the industry you work in. I primarily do makeup for weddings, commercials and corporate shoots, but have done film and photoshoots as well. I can’t speak on runway or special effects makeup, so I’m afraid I’m no help there.
I’ll break it down into the two subsets I do the most work in–weddings and corporate/commercials–to help you be as prepared as possible should you want to work in those arenas. I’m not going to list every product, tool and supply you need, but will focus on some really important ones as well as some things you might not think of unless you’ve been there, done that.
I have a Zuca bag and an overflow bag filled with tons of eyeshadows, eyeliners, lipsticks, blushes, mascaras, concealers, foundations, powders, highlighters, brushes, sponges, cotton swabs, etc. Those are the basics for any non-special effects makeup job, but what I’m listing below are the things I’ve found to be extra important for wedding jobs.
Eye Primer, Foundation Primer, Lip Primer & Setting Spray. You won’t always be around for touchups after the initial makeup services are done, and you want to make sure the makeup you apply lasts. Primers and setting sprays will help lock it all in.
Small Scissors. The technical use for small scissors is to trim strip lashes and long brow hairs, but you’ll probably find they get used most often for cutting bridesmaid dress tags and those little loops that you use to hang dresses on a hanger.
Safety Pins. Another bridesmaid dress helper. Safety pins have nothing to do with makeup, but it’s nice to keep a few in your kit to help a girl out.
Hand Mirror. And make it a pretty one! Photographers loooooove to take photos of brides looking at their makeup in a hand mirror, so if the mirror has a nice design on it, it looks better in photos. That makes your client–and the photographer, who you may be requesting photos from after–happy.
Waterproof Mascara. Because weddings make people cry! And humidity, sweat and eye drops make mascara run, so the self proclaimed non-criers are not exempt. Why chance it?
Disposable Mascara Wands. You best not be touching anyone’s eyelashes (at a wedding or any other job) with the wand that comes in the tube unless it’s their own mascara or you’re giving it to them. That’s Makeup 101.
Plenty of False Lashes. I use individual (aka cluster aka flare) lashes on 90% of my wedding clients, so I always have several packs of varying lengths and thicknesses in my kit. It’s not unusual for me to go through a full pack of Mediums and a full pack of Shorts at one wedding. I say stock up on these if you plan on working weddings.
Two Kinds of Lash Glue. Duo is the pro fave, but it contains latex, which some folks are allergic to. So you’ll definitely need a non-latex version in your kit too.
Tweezers. You might use them to apply false lashes (I do) as well as to pluck the rogue eyebrow, upper lip or chin hairs. Just make sure to keep them sanitized.
Scotch Tape. Glitter abounds at weddings. It’s sometimes found on decor, shoes, morning-of mimosa glasses, etc. And where there is glitter on an object, you’ll find glitter on nearby faces. Scotch tape is great for lifting glitter off the skin, so I always have some in my kit.
Paper & Pen. The Maid of Honor is going to love the lipstick you put on her, right? So when she asks you what you used on her so she can buy it after the wedding, why not be a good person and write it down? Not only is that a nice thing to do, but the better a client’s overall experience is with you, the bigger chance that will come back to you in the form of repeat work, referrals and glowing reviews.
CORPORATE SHOOTS & COMMERCIALS
I bring my Zuca bag and my set bag (the bag you bring on set for touchups and makeup emergencies) to all corporate shoots and commercials. If I’m trying to make my Zuca lighter, I take out things I know I won’t need–shimmery highlighters, foundation primers, some of the false lashes (which I rarely use on commercials and never on corporate shoots). Everything else pretty much stays in. And a lot gets added.
Anti Shine. I use some anti-shine products at weddings too, but they are extra important for video and film shoots, where shine is the enemy. I’ll put some on a bald head too, as those domes can get shiny.
Pressed Powder. For the same reason, pressed powder is key. When it’s time for a touchup, powder is imperative. The person or people looking at a monitor probably won’t notice the perfect shade of blush you chose, but they will notice a shiny nose or forehead. I keep one pressed powder inside of each pouch I have in my set bag (each person on camera–called the “talent”–has a pouch with the products I might use to touch them up during a shoot).
Lip Balm. Lips can get dry during a long shoot, so keep some lip balm on you. You can either have a stick or pot of it that you apply or dip into directly then give to the person at the end of the shoot, or you can use one that you can squeeze or scrape out.
Body Lotion. As a makeup artist on set, you are expected to be able to handle issues on all of the exposed skin–not just the face. If the talent has dry hands, arms, legs, etc., they may ask you for body lotion. Be prepared for that request!
A Handheld Fan. The lights used on set can get very hot. And what do people do when they’re hot? They sweat. And what does sweat do to makeup? Wears it off. A small, handheld fan will help keep the talent cool, but if there is a hair stylist on set, he/or she will probably hate you for using it. The fan will cool the client but might move their hair as well, so if you’re not responsible for their hair (more on that below), make sure you consult with the hair stylist first.
Makeup Remover Wipes. A long day on set means several touchups, and that can be a lot of makeup. Some people want to get it all off before they leave for the day, so makeup artists are expected to have makeup remover wipes on hand. Always keep more than you think you’ll need, because you’ll go through them quicker than you expect.
Gum, Mints & Cough Drops. If there’s something someone needs that’s on the face–even it has nothing to do with makeup–people will go to the makeup artist for it. So make sure to keep some gum, mints and cough drops in your set bag, but also make sure the talent doesn’t have anything in their mouth when they start filming.
Tissues. If the talent needs a tissue, the makeup artist is expected to have that too. So keep some close to your set up in case they need one during the makeup application, as well as some in your set bag in case of a sneeze or runny nose mid-filming.
Dental Floss. You might get some requests for floss after lunch breaks. I keep the individual floss picks in my set bag. Because, yes, teeth do fall under Makeup Artist Territory on set…
Eye Drops. And eyeballs do too! I keep eye drops for redness, allergies and contact wearers in my set bag. Somewhere along the way, I acquired some single use eye drop packs that are great for that #setlife.
Nail Polish Remover. Were you under the impression that makeup artists didn’t have to worry about nails? Maybe on a big film set, but it’s all on you on most commercials and I would say all corporate shoots. Chipped nail polish or bright colors won’t fly on most commercial or corporate shoots, so I always have some nail polish remover pads on me.
Nail File & Clippers. If the nails are too long or jagged and there’s going to be a close up of the hands, it’s up to the makeup artist to get those claws camera ready.
Lint Roller. If there’s Wardrobe on set, this won’t be your responsibility, but if not, keeping a lint roller in your set bag will make you the temporary hero of the day if there’s some lint on the talent’s clothing.
Makeup Cape or Paper Towels. If the talent is already in wardrobe when they come to Makeup, you’ll need to be careful not to get any makeup on their outfit. You can protect their clothes with a makeup cape (think a hair stylist cape, but shorter) or paper towels tucked into the collar or neckline of their top or suit jacket.
Razor & Clippers. Sometimes male talent facial hair needs to be trimmed or shaved off (usually just trimmed for commercial or corporate), so be ready!
Hairspray, Pomade, Comb, Brush, Hair Dryer, Curling Iron, Flat Iron & Bobby Pins. Ohhhhhhhh, you thought makeup artists just did makeup? Sure, that’s the case at wedding jobs, runway, editorial and film jobs, but at most corporate shoots and on commercials with smaller budgets, the makeup artist is at least expected to do some hair grooming. That means getting rid of flyaways, pinning back pieces of hair, sometimes giving a once over with a flat iron, etc. If you’re not a licensed Cosmetologist, I recommend finding someone you can hire to teach you some hair grooming basics.
Other makeup artists may look at these two lists and think I’m missing some things (in which case, please comment away!). But I think this is a good, solid list to work off of as long as you have a fully stocked kit and brush cleaner.
If you want my full lists with every product, tool and supply I use, please email AllisonBarbera@gmail.com for details.
You read the overly long title–that delicate area of skin under your peepers is oh-so-thin. That means it can easily show signs of wear and tear, which can make you look older than you are. But there are some things you can do to keep that thinny thin thin under eye area looking smooth and tight for as long as possible.
So, what’s up? You want to know my tips? Then keep on reading.
Protect. UVA rays break down collagen and elastin, which are the good little doobies your body produces to keep skin taut. Using SPF on that area helps stop that breakdown. I use a moisturizer with SPF 35 under my eyes before I apply my concealer (which also provides some physical protection from the sun). You could use a sunscreen alone, but just test it out first to make sure it doesn’t get into your eyes and make them sting. I almost always have my SPF moisturizer and sunscreen on, but there have been times when I’ve just had Glossier Invisible Shield on my face and under eye area, and it was sting-free.
Shield. You know what else gives you sun protection? Sunglasses. (Duh.) Not only do they stop those rays of sunshine from directly hitting your skin, but they keep you from squinting. Repeated squinting will expedite the appearance of crow’s feet, and if you don’t believe me, Google “Robert DeNiro 2019.” Now all you need to do is not lose your sunglasses at the beach and avoid putting them on the passenger seat in your car, almost immediately forget they are there then crush them with your purse.
Prevent & Treat. Eye cream will provide moisture to the under eye area, and a moisturized, plumped up skin will show less lines and wrinkles than a dry skin. Some moisturizers also contain anti-aging ingredients which can help boost collagen production. I use a tiny bit of my prescription Trentinoin (a retinoid) under my eyes every other night. On the other nights, I use Lancome Advanced Genifique Eye Cream. I strongly suggest consistently using eye cream before you see any signs of aging, as it will delay the appearance of those lines, wrinkles and loose skin. But if you’re already there, getting into the habit of using eye cream now will help, especially if you choose one that contains retinol. When applying eye cream, use your ring finger, as that is the weakest of the phalanges so it automatically applies less pressure to the area. And I think it’s best to apply eye cream to the under eye area starting from the outside of the eyes (towards the temples) in towards the nose. That’s the way that skin grows, so doing that keeps you from pulling skin in the opposite direction.
Be Gentle. I’m going to need everyone to stop pulling on their under eye skin RIGHT NOW. Skin only has so much elasticity, and pulling, rubbing or stretching that skin when applying or removing makeup or putting in contacts will cause the skin to sag. I use a very light hand when I apply makeup on my own under eyes as well as on clients, and my nighttime eye makeup removal consists of placing a cotton pad soaked in BIODERMA on each eye for a minute, gently wiping away the makeup, then using a cotton swab dipped in Bioderma to clean up the aftermath of the eye makeup party. I treat my under eye area as carefully as I would hold a newborn, except I don’t do that because I get nervous about their wobbly necks. Think of your under eye area as the most delicate thing you own and proceed accordingly.
If you stick with these tips, your under eye skin will thank you by living its best life and looking fly. And I don’t even need any credit! Just tell everyone you know to read this blog
Every industry has its pros and cons. Teachers may have summers off, but they also have to put up with some bratty kids and nightmare parents. Real estate agents may have the potential to bring in a lot of money, but they also have to deal with demanding clients and buyers who disappear after showing them eight houses a week for two months. And bartending may seem like a fun, social job, but would you want to cater to drunk people every time you went into work? Let’s not forget that people throwing up on a bar is a thing.
Working as a makeup artist is no different. Sure, we get to make people look pretty (or look the part) and that in turn helps them feel more confident. We are able to flex our creative muscles, which you don’t get to do in a lot of jobs. We get to meet a lot of people and work on cool projects. And some of us get to see our names in movie and television credits, which is a good feeling. But it’s not all glowing skin and long lashes (the makeup equivalent of “puppies and rainbows”). There are some negatives to being a makeup artist, and if you’re considering working in this industry, it might help you to be aware of what you could be up against.
Gossip Girl. When I interview Independent Contractors for AB Beauty, I always make sure to tell them we are not a catty, gossipy company. I say that because unfortunately a lot of salons and makeup and hair trailers on set have that atmosphere. And it’s not just a behind the scenes thing. Have you ever been at a salon, getting your hair done while your hair stylist or one next to you talks crap about a fellow employee or a client? Sure you have. I think we all have. I’m not saying every salon is like that–and I’ve been in plenty that are not–but it’s a reality if you’re working in the industry.
It’s not just salons either. I’ve worked with many awesome hair stylists and makeup artists on different films, commercials and television shows over the years, but I’ve also worked with a few who would talk badly about someone the second they walked out of the room or trailer. That makes me so uncomfortable and is part of the reason I no longer take certain jobs. If you’re thinking about working in the beauty industry, my biggest piece of advice to you is to stay out of the drama. Don’t badmouth coworkers, bosses, clients, other crew members–really anyone. It may feel like it’s making you closer to the person you’re talking with if you gossip with them, but it will come back and bite you, either when what you’re saying gets back to the subject of your tirade, or in the form of other people viewing you as a shit talker.
When I’ve been face to face with a shit talker in the past, I’ve always tried to find a way to change the subject. For example, if Nice Person #1 leaves the room and the S Talker says “Nice Person is so full of herself. And she’s not even good at her job,” I would say “Have you worked with her before?” (a neutral question). If the S Talker said “Yeah,” I would ask what job they were on together. Then I would say something like “Oh, was that the one that went a week over schedule and messed everyone up?” or “Did you have a million overnights on that one?” or something off topic but in a natural way. Or if they hadn’t worked together before, I might say “I haven’t either,” then pull from my memory something that I meant to ask them at some point anyway. Like “Oh, I keep meaning to ask you! Have you tried that new Ben Nye powder? I heard it’s really good and I know you like that line.” You feel me? It’s a way out without joining in the gossip or walking away (which isn’t always possible). In this industry, your professional reputation is part of what gets you hired, so why risk losing opportunities because of badmouthing, which adds no value to anything anyway?
The Professional. The beauty industry has a reputation of being unprofessional. That’s not true of everyone in the industry, and those that I am friends with and associate with are professional. But the truth is, many people in the industry are not. I know this from personal experience and what I’ve seen and been told by other beauty service company owners and makeup artists. Over the course of the almost 11 years AB Beauty has been around, I have received several panicked calls from brides whose makeup artist or hair stylist cancelled weeks or days before their wedding. Can you imagine?!?! (I’m writing this on a Monday and got a panicked call from a bride whose makeup artist cancelled on her for this Friday.)
Professionalism encompasses not just showing up for a job–which you’d think would be a given–but arriving on time, being prepared and having appropriate conversations. It would be a) crazy to go out and get wasted the night before a job and b) tell that to a client, right? I’ve heard of hair stylists and makeup artists who have done just that. I’ve also heard of people who were dressed inappropriately, drank on the job (we get offered mimosas at most weddings!), left without finishing their work, etc. The good news is, if you can act and speak appropriately, show up on time and complete your work, the people who can’t or won’t do those things help you look better.
Even if you are professional, there are people who will assume you’re not, just based on the industry you’re in. It’s a stereotype you have to fight against, but you can prove people wrong. You’ll likely encounter others who decided to play into that stereotype and sometimes that will have an effect on you if you’re working with them, but if you show up on time, are prepared and have appropriate conversations, it will become pretty obvious that you are a true professional.
Noses Up In The Air. For whatever reason, some people look down at makeup artists. Those snobs don’t take our jobs seriously, and for no good reason. I think they think “How hard can it be to put lipstick on someone?” (First of all, no paying client wants just lipstick. And secondly, I’d bet all my money that they couldn’t do a perfect red lip on someone with uneven lips who tries to talk while lipliner is being applied.) People think a makeup artist’s job is just putting on makeup on others–which, by the way, most people couldn’t do without experience–but a) it’s not that easy and b) there’s more to a makeup artist’s job than just applying makeup.
If you’re going to be a makeup artist, you might encounter this even with people in your personal life. The mother of a friend of mine once said “Your parents must so happy that they paid for your college tuition and now you’re a makeup artist.” I thought, First of all, bitch, my parents did not pay for my college tuition, so don’t make assumptions, especially when your eyeliner is as jacked up as it is. But I said nothing, and went on to build a successful company and a lifestyle that she would surely be jealous of if she has to live in New England during the winter, which I believe she does.
My advice to you if you want to be a makeup artist is to grow some thick skin (but keep it moisturized). If someone thinks they’re better than you because of their job, don’t let that affect you. What they think of your profession has zero impact on your success, so let them use their energy judging other people while you work a job you love and potentially make more money than them. (The average full day rate for a commercial makeup artist is anywhere between $500 – $1000, depending on the market you are in. So take that, snobs!) If someone thinks less of you because you’re a makeup artist, take solace in the fact that they are wrong, you are right and your face will always look better than their’s.
D-I-S-R-E-S-P-E-C-T. You’d think when you’re on set at least, other people you were working for or with would understand the importance of your job, right? WRONG. The snobs you find looking in from the outside and judging you without really knowing what you do aren’t as bad as the ones who judge you and treat you disrespectfully, even though they are on a set or at a job with you. I’m talking about directors, producers, photographers, wedding planners and others who rush us makeup artists even when we are on time. Or stand in our way/our light while we are working. Or pull someone we are about to do makeup on for a 15 minute meeting then get mad when we are not done on time, etc. Yet we are expected to have the utmost respect for everyone’s job. Know what would happen if a makeup artist walked in front of the camera mid-shot? All hell would break loose!
There’s also sometimes just a general sense of “we’re better than you” that you can feel at some jobs. What the people who are giving off that vibe don’t realize is that the actor/bride/client/model/politician we are doing makeup on is not going to want to be on camera or in front of a crowd without spending some quality time with a makeup artist first. Trust me, no one wants to be filmed or photographed with dark undereye circles, redness or a shiny T-zone.
I’m lucky enough to work with a great crew, producer and hosts on the TV show I work on, and most of the wedding planners I work with at this point are respectful and protective of my time and set up area the day of. I sometimes get to work with awesome wedding photographers, and I love it when they are there. But I’ve also been on jobs with several photographers and videographers who try to move my makeup while I’m working (not my fault if I bite your hand as an automatic response to that), turn off lights while I’m working because they need different light for their shot of a wedding invitation, hit my shoulder with their camera lens while I am applying lipstick, etc.
I once had a photographer move a couch in front of my set up while I was working, essentially boxing me in, and when I asked them to move it after they were done getting a picture of the bridesmaids’ dresses, they looked at me, said “No,” and walked out of the room. I had to climb over the couch and then lift my heavy kit over it to be able to leave. The photographer had left some camera lenses on the couch and I thought “I could ‘accidentally’ pour my brush cleaner on these lenses and ruin some very expensive equipment,” but I let my Professional side overrule my Sicilian side, and I walked out. (Then I texted my photographer friend, Joe Laurin–who would never treat a makeup artist like that–to vent.)
If you want to be a makeup artist, you’ll work some great jobs with people who respect and understand the importance of your work, just as you (should) respect and understand the importance of their’s. But you’ll also inevitably work with some real jokers who think your job isn’t important and that you’re not smart or professional. These assholes have their minds made up about you before they meet you, so pay them no heed. Just try to not let it ruin your day when you do have to interact with them. It’s your job to do your best work and be professional, no matter what kind of jerks you encounter along the way (barring of course inappropriate or abusive behavior). You can bitch about them to someone in your personal life after you leave the job. I once told my father about an assistant director was who was rude and disrespectful to the female crew members on set, and for some reason described what the guy looked like. My father’s response was “Guys who look and act like that usually get punched.” Now, I don’t know if that’s true, but it made me feel better. So if it makes you feel better to think that a person who is rude is to you on a job is the type to get punched, imagine them getting clocked and see if that helps.
Trade Off. When you start out as a makeup artist, one of the most important things you’ll need to do is start a portfolio. But how do you get pictures of your work when no one is going to hire you because you don’t have a portfolio? The answer is trade work (aka “testing”). Find a photographer, hair stylist and model who are all also starting out and collaborate on a shoot that you can all use the photos from in your portfolios. I recommend doing that as often as possible until you build a portfolio that shows potential clients a good selection of your work. It’s smart to do these type of trade shoots when you’re starting out, as they will set you apart from the “makeup artists” who just have Instagram accounts with non-pro photos of makeup they’ve done on themselves and friends.
Trade work can also be something like doing makeup for the cover of a local magazine who doesn’t pay you but gives you free advertising in their publication, or doing makeup for the owner of a clothing boutique’s branding photos in exchange for a gift certificate to their store. This is part of the bartering world, and as long as you think the exchange is worth it for your time and level of experience, it’s not a bad thing.
But there’s another type of “trade” work that will surely be offered to you, and it’s less “trade” than “volunteer” work, except it’s not true volunteer work that is done for a good cause (like the Look Good, Feel Better program.) What I’m referring to is a job that is offered to you for no pay, but with the promise of “good exposure” (cue eye rolling from any veteran makeup artists reading this). If you are going to be a makeup artist, you’ll likely field several offers from people who want you to do makeup for a shoot, small fashion show, competition, etc. for free, but with the guarantee that you’ll get good exposure from doing the job. I don’t know if it’s common to be asked to work for free outside of the beauty industry, but it is very prevalent in this industry.
I took some of this “good exposure” work when I started, partly because I didn’t know any better and partly because I needed the practice. I don’t think I ever directly got any work from those type of jobs, but I did gain some experience, which has its own value. After a while, I realized I didn’t need those types of jobs. I’ll still very occasionally do a trade shoot if it’s with an AB Beauty hair stylist, a photographer I love and a model whose look I like, but that’s it. For anything other than that, unless you are my mother, my sister in law or select cousins, if my foundation brush touches your face, you’re paying me. This is my livelihood, and my time and my products–along with my 10+ years of experience–are worth more than one million exposure “dollars.”
When you are starting out, it may be worth it to take some exposure jobs to get experience, but I wouldn’t take this type of unpaid work past your first year as a makeup artist. I also wouldn’t do it that often, as your time would be better spent doing trade shoots and taking classes.
This ended up being a lot longer than I intended! Surprise, surprise, I have a lot to say about my career as a makeup artist. For me, the pros heavily outweigh the cons, and even my worst day in this career is better than my best day in my previous careers, as I’m doing something I enjoy, and on my own terms.
If you are starting out as a makeup artist or thinking about becoming one, I think it makes you better prepared if you’re aware of some of the not-so-great things you may encounter. No job is perfect, but if you love what you do, are good at it and are professional, this job can be damn close.
Peepers: the windows to the soul. The eyes are the main focus of many of the makeup looks I do, and I think also the favorite feature for a lot of people. So today, I want to tell you about my all time favorite eye makeup products. I’m going to keep this one short and sweet so you can use it as a shopping list if you’d like. I’ve linked to the posts I’ve done about each product so you can get more details. You’re welcome!
Planning things so that they are the easiest and most efficient for everyone involved
Blowing out my hair after I wash it
Scanning YouTube every night for new clips or interviews with comics I love
Tailoring my responses to each person I talk to in my personal life in a way that I know my words will be best received
Cleansing my face every night, without fail
Being extremely attuned to how much space I am taking up in a public space and moving if I think I could be in someone’s way
Answering direct questions (which seems to be a lost art)
I’m so used to the way my personal world works that it never crosses my mind until someone says something to me, or I hear someone else say something, that I realize something I do is weird or I’m not in the majority. That applies to the beauty world too. I’ve been doing makeup for so long and was obsessed with beauty even before I was a pro artist that I forget that beauty tricks and techniques that are automatic for me are actually unknown for a lot of people.
And how do I know that? Because they tell me. Over the last 10+ years, I’ve shared countless tips and tricks in person, on social media and in this blog. Sometimes I think, I shouldn’t even say this. People already know. Then I get a comment or message that proves me wrong.
So now we’ve got another list. This one is of all things I can think of that I’ve shared over the years and someone has said “I didn’t know that!” or “I was doing that all wrong!” or “Wow, that’s a game changer!” Maybe you’ll see something here that helps you. And that’s all I’ve ever wanted.
Oil Cleanse The Right Way. Oil cleansers are meant to be applied on dry skin, not damp skin like most cream cleansers. After applying an oil cleanser and massaging it in, you add water, massage it in more, then rinse. If you apply oil cleanser to damp or wet skin, it won’t do its job. I remember putting this tip on the Allison Barbera Beauty Facebook page last year and someone said they were glad they saw it because they had been doing it wrong.
Don’t Forget Hyaluronic Acid’s Soulmate. If you use hyaluronic acid on its own (not already in another product), you have to apply moisturizer immediately after to make it work. For more on that, peep my reviews of The Ordinary Hyaluronic Acid.
Pretty Much Everything About Retinoids. Just read this, one of my most shared and referenced blog posts.
Patch Test Everything. Got a new skincare product, body moisturizer or self tanner? Give it the ol’ patch test 24 hours before applying it as directed. Applying a small amount of the product before you use the full amount will let you know if there are any ingredients in the product that your skin finds irritating or is allergic to. I do my skincare patch tests behind my ear so the area is hidden if I have a reaction, and my body products and self tanners on my stomach for the same reason. One of the only times I didn’t do this, I had a bad reaction to a St. Tropez tanner all over my legs (red, itchy bumps). Lesson learned.
EYESHADOW & LINER
Crease Work. I do not recommend applying shimmery shadow to the crease of the eye. Shadow is generally applied there to make the crease look more contoured/recessed. If you want an area to look recessed, you use a darker color as it reflects less light. But shimmery shadows reflect light, so they bring things forward or make them look bigger. Since that’s not typically what you want to do in the crease, using a shimmery shadow there defeats the purpose. You follow me?
Waterline Magic. Want to make your eyes look bigger? An off-white pencil applied to the lower waterline will give the illusion that the whites of your eyes are bigger, since you are matching your eyeliner to that color and cancelling out the pink or beige tones naturally present on the waterline. You are welcome.
Eyeshadowliner. All you need is an eyeshadow and an angled brush or a fine gel liner brush for this trick. Simply apply the shadow where you would normally apply your eyeliner and enjoy your soft-focus-but-still-defined liner.
Blend It, Baby. The difference between good and bad eye makeup is often in the blending. If I can see where shadow you used stopped, you didn’t blend (or blend it enough). Use a fluffy eyeshadow brush, like the MAC 217, to blend just the edges of where one color stops and the next color starts or where it meets the skin. You don’t need to blend the whole area where you have applied the shadow, as that will fade all of it, which is not the point. This can take a little practice, but I know you can do it.
Mascara Cocktailing. I use two mascaras: One for volume and one for length. I am doubtful of mascaras that claim to do both, so I found that using them together gives me what I want, what I really really want.
Rare Waterproofing. I personally only use waterproof mascara for the same two occasions my father steps foot in a church for: weddings and funerals. I’m likely to tear up or cry at both, so on those days–and those days only–I reach for waterproof. Waterproof mascara requires a more vigorous mascara removal, which is fine once in a while. But that kind of removal on a daily basis will damage your lashes, causing breakage and sadness. If you have problems with mascara smudging, there are other options. Do your lashes a favor and put the waterproof down.
Totally Tubular. If every non-waterproof mascara you’ve tried smudges, consider a tubing mascara. Tubing mascaras like Blinc encapsulate the lashes instead of coating them, and whatever it is that makes the product encapsulate also keeps it from smudging. Tubing mascaras typically don’t give as much volume and length as regular mascaras, so that’s something to be aware of. If you want to tube, I suggest first trying it on your bottom lashes, as that may be where the smudging is coming from.
The Mascara Two Step. It’s the easiest dance you’ll ever do. For more volume, wiggle the mascara wand at your top lash roots then pull up. For more length, hold the wand horizontally at the mid-point of your top lashes, then lightly blink into it (which will coat the tips of your lashes). Because I use two mascaras, I wiggle with Diorshow and blink with Clinique, but you could do this two step with one mascara.
The Waiting Game. Some makeup artists will disagree with me, but I’ve found that a good foundation primer like Laura Mercier Foundation Primer does make a difference in how long face makeup stays on. BUT, you have to let it do its job. That means letting it fully absorb before applying foundation. If you apply foundation immediately after primer, you are likely removing some of the primer as you apply your foundation, as the primer is still absorbing for a minute or so after it’s on. So I do face primer, back to something on the eyes for a minute, then foundation. I suggest you do the same 🙂
Like With Like. Face makeup falls into two main texture categories: creams/liquids and powders. And I’m not saying they’re rival gangs, but they prefer to chill with their homegirls. So primers, liquid or cream/stick foundations, pore minimizers, cream blushes, cream bronzers and contour products and liquid/cream highlighters work well when layered over each other. Powder blushes, highlighters, bronzers and contour products also tend to blend into each other more easily when they’re with their friends. This doesn’t mean you can’t wear both liquid and cream products though. I’m about to give you another tip that some other pros will disagree with: I suggest that you apply setting powder after all of your cream/liquid products are on but before applying powder products. I call setting powder the great equalizer. It helps keep the cream/liquid products in place so that they aren’t disturbed when a powder product is blended over it. Got it?
Lock In That Under Eye Concealer. If you are using a cream/liquid concealer under your eyes, chances are it will benefit from being set with a little bit of powder. Concealer that has not been set with powder has a tendency to a) Fade throughout the day and b) Eat away at lower lash mascara, causing smudging. Why risk it? Just make sure to be light-handed with under eye powder, as overdoing it can lead to caking.
Get Cheeky. Blush makes a huge difference in a makeup look, but you have to make sure your placement is right. It should go on the apples of the cheeks, blended ever so slightly upwards. You don’t want to apply blush too close to your nose because that can make your features look kind of squished in, and applying blush too low will make your face look droopy. There are slight application variations depending on your face shape, so here’s a picture to help.
Whose Line Is It Anyway? When using a lip liner, I line the edges of the lips and fill them in with the liner. Not only does that give the lipstick something to adhere to, but it won’t showcase the telltale “I only lined the edges of my lips” outline that can happen when your lipstick fades off.
The Cupid’s Bow Trick. Want to make your top lip look fuller? Use a lipliner that matches the lipstick you’re going to wear to line over your Cupid’s Bow. So instead of tracing the natural curve most people have there (it can be very slight on some), draw the liner straight across from top of one those little peaks to the other, which gives the illusion of more fullness.
Lipliner Double Duty. Have a lipliner you love the color of? There’s no reason you can’t wear it as a lipstick. Just line and fill in your lips, then top it with a little bit of gloss or balm so your lips don’t feel dry. It’s almost too easy.
Flash That Smile. Lipstick on the teeth–we’ve all experienced it. But there’s an easy way to prevent it. It seems weird, but if you put your index finger in your mouth after you’ve applied lipstick then pull it out, it will take with it the lipstick that migrated to the inside of your lips and would have eventually made it to your teeth. It really works.
Have you learned anything new today? Sure you have. But if you already knew all of these tips and are not a pro makeup artist, I may have a job for you at AB Beauty…
I’ve been using MAC eyeshadows since the beginning of my career as a makeup artist. Especially with an eye primer underneath, I’ve found these shadows to be the longest lasting, most pigmented powder shadows in the game. But if you’re at a MAC store or counter or on their website, the sheer selection of colors (currently 108 of them) can be daunting.
So allow me to present my go-to’s and thoughts on who I’ve found they work best on. I’ll include the shade descriptions MAC gives for each, but I won’t be shy in voicing my opinion if I see them differently.
All That Glitters. Beige with gold pearl. To me, this looks more rose gold than beige gold on most people. I think it works best on light and medium skintones. It’s pretty shimmery, so stay away if you’re a Matte Girl.
Antiqued. Ash brown with bronze. This is gorgeous on deeper skintones with any eye color.
Brown Script. Warm chestnut brown. Works especially well on medium and deeper skintones, either on the lid or in the crease. It’s matte, so it can work for either. (I stay away from shimmer in the crease, as it defeats the purpose of making an area look recessed.)
Brule. Soft creamy beige. One of my matte go-to lid colors for fair, light and light-medium skin.
Brun. Muted blackish brown. I use this cool, matte shade as a liner on light and medium skintones, any eye color. I also use it to fill in brunette brows.
Carbon. Intense black. Everyone should have a good black eyeshadow, and this is my favorite. I mostly use it at the lashlines, as it’s pretty rare for me to use black on the lid or in the crease unless it’s for an editorial look.
Charcoal Brown. Muted taupe brown. I use this a lot at the lower lashline on light and medium skintones. It provides soft definition. It also works as a neutral matte lid color on deeper skintones.
Club. Red brown with green pearl. Club is a really unique shade. Depending on the skintone and the lighting in a room, it can look green, silver, gray or brown.
Coquette. Muted grayish taupe. I like this as a lower lash liner on green or hazel eyes, as it brings out the green.
Cork. Muted golden brown. Another lower lash liner choice for light to medium skintones.
Embark. Intense reddish brown. Really pretty on deeper skintones and on green eyes (green and red are complimentary colors, so the red undertones makes green looker greener).
Era. Soft golden beige with shimmer. Works well as a lid color on medium and deeper skintones.
Espresso. Muted golden brown. I use this warm brown a lot as a crease color on deeper skintones, or an outer V color on light and medium skintones.
Goldmine. Intense gold with shimmer. It’s a very yellow gold, so I tend to use it over other golds (from different lines, sorry) or over a darker shimmery color that I want to lighten. I find it usually pulls too yellow to wear alone.
Mulch. Red brown with bronze pearl. Gorgeous on green eyes, but it can be too dark on fair and some light skintones.
Naked Lunch. Minimal pink with shimmer. Pretty on fair and light skintones with any eye color. Can look frosty on medium and deeper skintones.
Nylon. Pale gold with icy shimmer. This one can get intense, so I mainly use it for inner corner highlight or as part of the look for a shimmery gold lid. It’s pretty in small doses.
Omega. Soft muted beige taupe. I mainly use this for brow fill-in for blonde brows, but have also used it on medium and deeper skintones on both the lid and the crease.
Phloof. Frosted off white. Similar to Nylon in my application of it. I also use it with a light hand on the lid for Flower Girls.
Ricepaper. Peachy gold with shimmer. This works on light skintones, but is especially pretty on medium and deeper skintones. It’s what I reach for when a client shows me an inspiration photo with a very shimmery lid.
Satin Taupe. Taupe with silver shimmer. Great for light and medium skintones. It can get a little ashy (due to the silver) on some deeper skintones. Especially flattering on brown eyes.
Scene. Muted blue gray. I work this into gray smokey eyes, as it tends to look more gray than blue when blended into other grays. Works with all eye colors.
Soba. Gold brown with gold shimmer. Really pretty in a subtle way on medium and deeper skintones.
Soft Brown. Soft golden peachy brown. This is gorgeous on those with blue eyes, as it’s got an orange undertone and orange and blue are complimentary. It can pull too orange on fair skintones though. Also pretty on deeper skintones.
Wedge. Soft muted beige taupe. This is my go-to crease color for fair, light and medium skintones. If this one ever gets discontinued, MAC and I will have a problem.
Woodwinked. Warm antique gold. Perfection on medium and deeper skintones. Can pull orange on light and medium skintones. Flattering on green eyes.
Yogurt. Soft pale pink. Very pretty on fair and light skintones with blue eyes.
MAC has discontinued some other shades I use and have backups of so I’m good for a bit, but I won’t tell you how great those ones are since you won’t be able to buy them. I mean, I’m not a jerk!
If you have any MAC shadow faves, I’d love to hear. Comment away.
What is it about going out at night that makes us feel like we want to be more bold, fancy or done up? Clothes, hair, makeup–they often get a little boost, refresh or change when we go from our Daytime Selves to our Night Out Selves. Maybe it’s that we want things to pop more after the sun has gone down, or that society tells us cocktail dresses are not for coffee dates. Or it could be that we want something to help us get out of productive-ish daytime mode to our more relaxed or fun nighttime mode. I don’t know, guys. I was only a Psych Minor.
What I do know is how to make that day-to-night makeup change, which was another blog post request. (I didn’t forget, Bonnie!) Some of these tips may not apply to you if you don’t already wear certain products, but I want to try to cover everyone here, so I’ll include a bunch and you can choose what makes sense for you.
And now for some ideas to change your look from Office to Happy Hour.
Conceal Your Sins. This won’t necessarily make your look more night out-ish, but most people could use a little concealer refresh before going out, when they’ve already had their makeup on for several hours. Here’s how I do it. 1) I first add concealer to my chin, around my nose or anywhere else where my concealer or foundation has faded or I have some redness (I’m looking at you, chinny chin chin). 2) Then I completely remove my undereye concealer and re-apply it, as I’ve found my undereye concealer can get a little caked or have a tiny smudge or two several hours after I’ve applied it, as I don’t wear waterproof products on a daily basis. If I’m going to add any dark shadow to my eye makeup, I do this step after that in case of shadow fallout onto the undereye area.
Zap That Shine. If you have oily or combination skin, you’ll be looking a little (or a lot) shiny by the evening. Luckily, this couldn’t be a simpler fix. Some pressed powder applied to those annoying reflective spots will take care of the problem. You can also use oil blotting sheets during the day or prior to the powder retouch to absorb some of the oil without removing any makeup. This is another fix that won’t make you look more night out-ish, but it will make your makeup look better.
The Eyes Have It. There are several things you can do to intensify your eye makeup and make it more after-sunset like. It’s going to depend on your eye shape and what you already have on for eye makeup, but these are all changes that won’t take long to do on their own.
1) Thicken, darken or wing your upper lash eyeliner. You can do this with a shadow (my preference), a pencil or a gel liner. If you had brown or gray liner on, trace over it with black. If you have the lid space, slightly thicken the line or wing it out (not for those with hooded eyes).
2) Add some darkness to the outer V. As long as you already have some eyeshadow on your lid, adding a darker shade to the outer V will add some dimension to your eyeshadow look. This is a great option for those with hooded eyes.
3) Apply waterline eyeliner. Using a black or brown pencil on the waterline (inside the lower lid) will give your eyes a sultry effect. This does make eyes look smaller, so that’s something to be aware of if your eyes are on the small side.
4) Layer on some mascara. Add a coat to your top and bottom lashes. If you didn’t start with lower lash mascara on, you’ll notice that this one makes a big difference.
Get Cheeky. Your blush definitely fades between breakfast and dinner, so why not retouch and maybe even bump it up? If you have a deeper or more intense shade that feels a little “too much” for the daytime, bring that bad boy out for your evening look. Generally the interior lighting you are in at night will be darker than what you’re in during the day (until you walk into the women’s room and the lighting sobers you up), so this is the perfect time to intensify it.
Give ‘Em Some Lip. You know the lipstick you are scared to wear during the day because it’s too bright, dark or bold? Try it after dark! A statement lip is perfect for nights out, and nothing changes your look more than going from nude or subtle to look atme lips. Just be aware of the color of the top or dress you are wearing, as while a certain lipstick may look good on you, if it clashes with your top or dress, it’s not going to work.
A Hair Different. I’m technically not an authority on hair, but I do know that switching up your hair style can help transition you from your Daytime Self to your Night Out Self. This might mean taking your hair down when it’s been up all day, or putting it into a top knot if you’ve worn it down. It could be switching your part, or flat ironing or adding some curls. Or maybe it’s just some dry shampoo or some hairspray to freshen up your style. You do what works for you, girlfriend.
You don’t need to spend a long time making your look go from a.m. to p.m. (In fact, you don’t need to do it at all!) But if you’re looking for some tips on how to change things up after the sun goes down, hopefully you’ve found this post helpful. I’m here for you, day or night, if you have questions.
I’ve taken a lot of language classes in my life. Six years of Spanish between middle school and high school. Three years of Latin. (Who cares if I had to take Latin I twice? I couldn’t carpe the diem the first time around.) A few months of Italian at Mount Carmel church in Worcester, MA, with a wonderfully energetic teacher named Angelo Villani. One semester of Italian I in college, the highlight of that being the time my professor asked “Does anyone know what they call ‘The Mafia’ in Italian?” to which I responded “La Cosa Nostra” and then quietly “But there’s no such thing.” (Only 10% of you will get that joke, but I’m still proud of it.)
Even after all of those classes, I was only able to pick up one other language. And it wasn’t even one I studied! It’s called Makeupese, and I’m not only fluent in it, but I’m also a (self certified) translator. Makeup artists, beauty editors, YouTube gurus and just those in the know will often throw out Makeupese beauty terms, forgetting that we are speaking a different language. So I’m here to help you understand the language of my people.
I did a post like this a while back, but there are new terms now, so you deserve an updated post. Let’s do this.
Airbrush Makeup: Makeup applied from a machine that sprays out a fine mist of product via an airbrush “gun” (mechanical applicator). Airbrush is said to be longer lasting than traditional makeup formulations, but I think that depends on the brand of airbrush, the products you are comparing it to and how it is applied.
Baking: A technique created by drag queens to super-set makeup using loose powder. (See below for “setting” definition.) The powder is left on the skin for 5 – 10 minutes while body heat sets it into the previously applied foundation and/or concealer. Then the powder is brushed off.
Buffing Brush: A short bristle dense face brush used to blend face makeup. It can also be used to apply liquid foundation and highlighter. It can be a flat or angled brush.
Contouring: Everyone has heard this term by now (thanks, Kardashians.) Contouring is using a dark color to make an area recede. We use contouring to minimize the width or length of a feature. Keep in mind that contouring is different for each face shape and for the shape of any feature(s) you want to contour, so beware of which contour tutorials you watch. If you have a different face shape than the person contouring and you duplicate that look on yourself, it will backfire.
Cat Eye: An eyeliner look that is thickest and angled at the outer corners. A true cat eye will also feature a thin line of liner all the way in to the tearduct. A cat eye is not for those who want a subtle look, but it’s fire if you can pull it off.
Color Wash: Using one shade of eyeshadow for the entire eye. This the most simple eyeshadow look you can do in terms of steps. It’s perfect for a bold or bright eyeshadow, if you keep the rest of your makeup toned down.
Crease: Also known as the “socket.” It’s the space above the eyelid and under the browbone where skin and bone structure dips in. There is no visible crease present on those with hooded or monolid eyes–and that’s okay! There are no bad eye shapes.
Cupid’s Bow: The curve at the center of the top lip. Highlighting that area of skin between the two peaks makes lips look slightly fuller.
Cut Crease: An eyeshadow technique popularized in the 1960s using a light color on the lid and a much darker color in the crease. This is a go-to look in the drag community, and with Instaglam makeup looks.
Dewy Skin: Skin that has been enhanced with luminizing and radiance-providing skincare and/or makeup to look like there is a sheen on the high points of the face. For more about this look, check out one of my most popular blog posts ever.
Doe Foot Applicator: A spongy tip wand applicator found primarily in lip products and cream eyeshadows. It can flat or angled.
Dupe: Short for “duplicate.” You’ll most often hear this term used when someone has or wants to find a very similar product or shade at a lower price, or when a product has been discontinued and someone has or is looking for its next of kin.
Foiling: Using a powder eyeshadow or eyeshadow pigment with a mixing medium (cream or liquid). This creates a liquid eyeshadow effect.
Fallout: Usually used in reference to eyeshadow. It’s any extra shadow that falls under the eye or onto the face while shadow is being applied. It’s the reason why makeup artists like me do the eyes first!
Flare Lashes: Also known as clusters or individual lashes, these false lashes come in groups of 6-8 lashes instead of strips that are the length of the lashline. They come in different colors, lengths and thicknesses and can be built up. They tend to look more natural and stay on better than strip lashes.
Highlight: Using a light color to draw attention to a feature or area of the face. Commonly used on cheekbones, brownbones, inner corners of eyes and above the Cupid’s Bow.
Hooded Lid: An eye that has no visible crease. Sometimes that’s the way a person’s eye is naturally, and other times it happens as a person ages and the skin under the eyebrow starts to sag and fold over the crease.
Juicy Skin: An amped up version of dewy skin, popularized by pro makeup artist, Katie Jane Hughes.
Kit: A makeup artist’s supply of tools and products.
Illuminating: Products that contain some kind of light reflecting particles. Great for places you want to highlight. Stay away from illuminating products if you have oily skin, because they can make the skin look more oily.
Matte: Products with absolutely no shimmer or shine.
MUA: Stands for “Make Up Artist.” I prefer “Makeup Artist,” but no one says “MA,” because Massachusetts already claimed that.
No Makeup Makeup: A very natural makeup look that is meant to look like the wearer does not have any makeup on. No Makeup Makeup products are meant to match the area they are being applied to. No red lips or black liner with this look!
Non-comedogenic: Means that the product will not clog pores. But I think that any makeup you don’t fully remove at night has the potential to clog pores, so this doesn’t mean “you don’t need to wash it off.”
Outer V: Used in reference to the section of the eye from the outer end of the crease to the outer end of the lashline. Drawing a little “v” here (with the point going towards the hairline) works well with a lot of eye makeup looks.
Prepping The Skin: Applying skincare products to the skin prior to a makeup application so that makeup goes on smoother and looks better than straight away applying makeup to the face.
Primer: A face, eye or lip product put on prior to foundation, eye makeup or lip color to help the products stay on longer. They also give a good base and help provide a smoother, more even surface for the products.
Setting: Using a powder or spray to lock in the makeup that has been applied. Some makeup artists do not consider cream and liquid products to be set until they have been layered over with a powder or setting spray. Setting allows the products underneath the setting product to last longer, as the setting product provides a barrier between the skin and the oils that naturally come through and break down products.
Sheer: Minimal coverage products that have a hint of color, so that you can still see through to the skin.
Spoolie: You know what a standard mascara wand looks like, right? A spoolie is just product-free version of that designed for brushing brow hairs into place and combing through lashes to get rid of clumps.
Smokey Eye: A true smokey eye is an eyeshadow look that is on a gradient with the colors. The darkest color gets applied at the upper lashline with colors in the same color family getting lighter as they go up towards the crease or middle of the eye area. It also includes a gradient effect on at the lower lashline, except the darkest color starts at the top (right at the lashes) with lighter colors in the same family below that. The lighter colors above (top lid) and below (bottom lashline) the darker colors give that “smoke” effect. Contrary to what you’ve probably seen, heard or read before, a smokey eye is not darker shadow at the Outer V or black liner in the waterline.
Smoked Out: This is what we call it when a liner has a lighter color above it at the upper lashline or below it at the lower lashline. (Also, what you might be if you spent some time with Snoop.) This doesn’t have to part of a smokey eye, though. You could have a contoured eye or a cut crease with a smoked out liner.
Stippling: An foundation application technique using a stippling brush (for liquid foundation) or a sponge (for powder foundation) to press the product into the skin. For powder, you load the sponge with product, place it onto the skin, press down, move to the next section and repeat. With a stippling brush…I’ll just let Wayne explain. Stippling generally gives more coverage than a powder puff or flat foundation brush.
Strobing: It’s just layered highlighting without contouring nearby to provide contrast. Strobing is done on the cheekbones, temples, bridge of the nose and on the Cupid’s Bow. Normally a cream or liquid concealer in a shade lighter than the skin is applied first, then set with a powder that matches that concealer, then topped with a powder highlight. Some people also use a cream highlighter layered with a powder highlighter.
Tightlining: Lining the upper inside eyelid with a pencil eyeliner, usually in a black shade. This can help make top lashes look fuller.
Transfer: When a mascara or eyeliner smudges onto the eyelid, crease, or browbone before it has dried.
Waterline: The inside lower eyelid. Lining here with a dark color makes the look more dramatic and makes the eyes look smaller. An off-white liner here will open up the eyes.
Winged Liner: Eyeliner that extends past the end of the eye on the upper lashline and is angled upwards, giving the illusion of a lifted and elongated shape.
Look at you now! Talking like a pro. The quiz will be on Tuesday, so get ready, class…
If you need clarification or have any terms I missed, fire away (aka comment).
A while back, I posted on the Allison Barbera Beauty Facebook page asking what kind of posts people would like to read. I got a lot of great suggestions, and I will get to all of the topics.
Since it is the start of a new year, it seems fitting to begin with a post about my skincare routine, requested by AB Beauty makeup artist and hair stylist, Candie. As I’ve said before in this blog, I can give you all the makeup tips in the world, but if you aren’t taking care of your skin, your makeup can only look so good.
Skincare routines should be customized for your skin type and concerns, so what works for me may not make sense for you. Let me first tell you what I have going on, as some of my product choices are based around that. My skin is combination with visible pores on and around my nose. I get oily in the T-zone during the warmer months. I have some fine lines on my forehead and around my eyes. I have hyperpigmentation (some freckles and small sun spots) on my face. I also have melasma above my upper lip. I do not have acne, but I occasionally break out on my jawline and chin. My nose is prone to blackheads. So my skincare routine is based around keeping my skin clear, hydrated, moisturized and slowing down the visible signs of aging. Any of that sound like your skin or skin concersns? Even if not, I’ll provide alternate products suggestions for different skin type and concerns.
Ready? Sure you are.
Cleanser. I cleanse once a day, at night. When I was in school for Esthetics, we were taught that unless you have very oily skin, a nightly cleanse is all that’s needed. They told us that the twice-a-day cleanse idea was created by the beauty industry so that they could sell double the cleanser. And that makes sense to me. Because if you are properly cleansing your face before bed, your pillowcase is clean and you don’t live inside a fume-filled factory, how dirty is your skin getting while you sleep? It’s much more important to cleanse at night to not only remove your makeup and sunscreen if you wear it, but also all of the dirt, oil and bacteria that latched onto your skin during the day. Because if you sleep with all of that on your face, guess what you’re asking for? BREAKOUTS.
To properly remove everything that you applied to your skin, and what showed up there uninvited during the day, you need to bring in a truly thorough product. And that product is–say it with me–oil cleanser. I’ve talked about this many times, because in my humble yet experienced and licensed opinion, oil is the only thing that fully removes makeup. And don’t worry–it won’t make you breakout. It will actually help prevent acne, since it removes the crap that can cause blemishes to appear. My current favorite oil cleanser is the Josie Maran Argan Cleansing Oil. It works for all skin types, and it’s vegan, cruelty-free, and formulated without GMO, formaldehyde, and synthetic fragrance.
If you have a cream, gel or lotion cleanser that you love though, I’ll still let you use it. But I strongly recommend using an oil pre-cleanse first to remove your makeup. Dermalogica Precleanse is the gold standard of pre-cleanses, so if you are not going to go full oil cleanser, cop this. A little goes a long way so you won’t need to re-stock it often.
Have truly oily skin? If you wake up shining bright like a diamond every day, I give you permission to use a gentle cream cleanser (like Clinique Liquid Facial Soap in Mild) to remove the surface oils. (I also sometimes do this myself if I’ve used an overnight mask or something that leaves a little residue on the skin.) The thing with oily skin though is that you don’t want to use anything too strong that strips the skin of its natural oils. You know that squeaky clean, tight feeling? That’s the skin being stripped of those oils. If you regularly do that to oily skin, your skin says “Our oil is being depleted! Ramp up production!” Then it produces more oil, and your plan backfires. So if you have oily skin and you feel the need to cleanse twice, just make sure that morning cleanse isn’t setting you up for failure.
Moisturizer. I don’t care who you are or what your skin type is–you need to moisturize every day. I do not go a day without moisturizing, ever. All skin contains fats and oils that will prevent it from completely drying out and cracking open (if I need to gross you out to get my point across, I will), but it needs help. Moisturizer will deliver that assistance and will make your skin feel softer. It also plumps up the skin so that fine lines and wrinkles are less noticeable, and it has a smoothing effect that allows makeup to go on much better. I use Neutrogena Oil Free Moisture Broad Spectrum SPF 35 which is great for normal, combination and oily skin.
For dry skin, I recommend Embryolisse Lait Creme Concentre (although it contains almond oil, so not the best choice for those with almond allergies). Kiehl’s Ultra Facial Moisturizer is another good option for dry skin. And there’s nothing that says you can’t switch moisturizers if you have combination skin that changes with the weather. If you get oily in the warmer months and dry in the colder months, use an oil-free moisturizer when it’s sandals weather and a more hydrating moisturizer when it’s boots weather. But make sure you are moisturizing every day if you want good skin.
Sunscreen. Not only can sun damage cause skin cancer, but it is the number one cause of visible premature aging. It not only causes some types of hyperpigmentation (like age spots), but UVA rays–which Esthetics school taught us to think of as “Ultra Violet Aging rays”–penetrate the deeper layers of the skin and break down collagen and elastin. Collagen and elastin are what keep the skin firm, so when they are attacked, wrinkles, fine lines and sagging show up. Sunscreen protects the skin from that damage, so it’s a must.
My moisturizer contains sunscreen, but I also use a separate sunscreen if I’m going to be outside for long. I used to use the Aveeno Protect + Hydrate Face Moisturizing Sunscreen but was given Glossier Invisible Shield for Christmas, so I’ll patch test that and as long as my skin approves and it doesn’t leave a white cast on my face (which I HATE), I’ll be making the switch. If you’re thinking “But Allison, I like the way I look tan!,” I get it. I like the way I look with a tan too. But I haven’t gotten a real tan for years, and that is part of why my skin is in good shape. The skin is the body’s largest organ, so I’d rather take care of that and fake it ’til I make it with Isle of Paradise Self Tanning Drops.
Hyaluronic Acid. H.A., as I call it, is one of my favorite skincare product discoveries of the last five years. And it’s one that’s suitable for all skin types. Everyone I have ever recommended it to has told me they saw results soon after using it. So what is H.A., you ask? It’s a substance that our body naturally produces that helps hold in collagen and lubricates joints and tissues. It gets depleted as we age, but luckily we can add it back to the skin topically. I’ve already written a whole other post about it, so you can get more details there, and I strongly encourage you to read that. H.A. is an essential part of my skincare routine, and is one of the few skincare products you will notice a difference from early on.
It’s the best hydrator out there, and we could all use some hydration. Even oily skin can be dehydrated, so don’t go scrolling to the next section yet if you’re thinking “I don’t need that!”. When the skin is dehydrated, that means it lacks water. When the skin is dry, that means it lacks oil. If you are unsure what dehydrated skin looks like, look in the mirror when you are hungover, battling the stomach bug or have just gotten off a flight. Those are all common causes of loss or lack of fluids, which your skin is happy to announce you have via dullness, flaking or more pronounced fine lines. I’m no doctor so I’m not going to advise you about systemic dehydration, but if you can see the signs of skin dehydration on your face, get yourself some H.A.
Retinoids. Retinoic acid, a derivative of Vitamin A, is one of the the only scientifically proven anti-aging ingredients. Prescription retinoids contain retinoic acid, while non-prescription retinoids (aka retinol, the general term which I am guilty of using for my prescription retinoid cream) products have to be converted into retinoic acid at the cellular level. Basically, a retinol will take longer to show results because of the retinoic acid conversion time. So why not go in the with the big guns right off the bat and use a prescription retinoid?
I started using a prescription retinoid (Trentinoin Cream 0.05%) when I was 33 and three years later, my skin looks pretty much the same. People are frequently surprised by my age, and I think my boo Trentinoin plays a big part in that. For more on retinoids, check out this post.
Exfoliation. I personally don’t exfoliate since I am on Trentinoin and exfoliation is contraindicated with retinoids, but I am including it because it’s something I did before I was on Trentinoin. I still think a prescription retinoid cream is the way to go if you are over 30, but if you’re under 30 or can’t/won’t use a retinoid, I recommend regular exfoliation.
Exfoliation removes the dead skin cells from the top layer of skin, making it feel softer and allowing makeup to go on more smoothly. If you leave those dead skin cells to chill on your epidermis, your skin will look dull and your makeup might get patchy as it grabs onto those cells who have crossed over. I’ve been out of the exfoliation game for a minute, but I can tell you that when I was in it, I preferred chemical (aka enzyme) exfoliation over physical (aka manual or scrub) exfoliation, as chemical exfoliation is more gentle. When exfoliation was part of my normal routine, I liked Kate Somerville ExfoliKate Intensive Exfoliating Treatment (they also make a gentle version for sensitive skin). Dermalogica Daily Microfoliant is another good one.
Blackhead Extraction. When I notice blackheads on my nose, I do extractions on the area. I’m a licensed esthetician so I can confidently do extractions in a way that I know won’t cause scarring. If you are not an esthetician, I recommend periodically going to one for a facial, which should include extractions. You can also use the Biore Pore Strips, which can remove some blackheads. If those don’t work for you, schedule a facial and make sure that you are thoroughly cleansing each night, as going to bed with a dirty face is a great way to get blackheads.
Face Oil. Don’t be scared of face oil. Oil does not always = breakouts. Think of it as a souped up moisturizer, okay? I have been using the Josie Maran 100% Pure Argan Oil for several years, and my skin is better person for it. Face oil is one of the skincare products I noticed almost immediately results from. I use it a couple nights in a week in the winter, when my skin is on the dry side. I apply it at night and let it absorb while I sleep. I use it year-round when I do facial massages, which really help when my skin is looking dull. (Lisa Eldridge explains that well here.) I reach for it as a sort of spot treatment if I get dry patches, which crop up if I’ve used too much Trentinoin, after I’ve been sick and my skin is dehydrated or when frigid weather causes dry patches and flaking. In those cases, I apply a small amount to the dry patches and it always heals them within a couple of days. Lastly, I use face oil 20 minutes after my Trentinoin if I have noticed any recent peeling or redness from it.
For more info on the Josie Maran Argan Oil, I’ve got another post for you! Unless you have truly acneic skin–in which case I recommend limiting your products until your acne has cleared, as adding anything new can irritate your already irritated skin–face oil should be part of your routine.
Spot Treatments. As I mentioned, I get the occasional blemish. When I do, I use a spot treatment to attack it overnight. If it’s a small whitehead or a pustule, I first try to get it with salicylic acid. I like the Clinique Acne Solutions Clinical Clearing Gel. If that doesn’t do it, or if I’m dealing with a papule, I go after it with Persa-Gel 10, a kickass benzoyl peroxide treatment.
If you don’t know what the hell I’m talking about with my acne terminology, I can help with that. Clickety click click here.
Face Masks. I’m not a mask addict, mostly because I already have enough steps in my routine and they work well. But I do like to use the Clarins Beauty Flash Balm every week or two, especially if my skin is looking dull or tired. I think this is a great mask that should work on all skin types, but if you have a specific skin concern you want to address, there’s probably a mask for it. Charcoal and mud masks are great for oily skin, while Vitamin E, avocado, and shea butter masks will make dry skin happy. If you have sensitive skin, look for masks that contain oatmeal, honey or aloe.
Hydroquinone. Let’s start with the definition of melasma. It’s a hyperpigmentation (darkening of the skin) that appears in gray-brown patches, usually on the face but sometimes on other areas of the body. Melasma is caused by birth control pills, pregnancy, hormone therapy and sun exposure. I think my upper lip melasma came from sun exposure. I regrettably had some serious sunbathing days in my 20s, and I started to pay for it a few years later via creases on my chest, moles that had to be scraped off or gouged out of my body, and melasma. Even though I did always wear sunscreen on my face, during pool days in the hot Florida sun, I could feel my face sweating, particularly at my hairline (where I also have faint melasma) and my above my upper lip. My theory is that the sweat on those areas broke down the sunscreen and allowed the sun damage to kick my melanocytes (pigment-producing skin cells) into overdrive.
My melasma got worse as I got older. Even though I was keeping my face protected from the sun, cumulative sun damage can take a while to appear. My dermatologist prescribed Hydroquinone 4% Cream to diminish the darkness above my lip. Hydroquinone is a skin bleaching cream and although some people says it’s harmful, I ran it by my MD/ND (medical doctor and naturopath) and he gave me the okay. You are supposed to only use it for three months at a time, which I do mostly during the warmer months, as that is when I notice the melasma most. It’s definitely faded to the point where I forget I even have it, but sometimes it crops back up, at which point I start my three months again.
If you don’t have melasma, this of course doesn’t need to be a part of your routine. And even if you do have it, Hydroquinone might not be the best choice for you. Get thee to a derm and go from there. But since I am telling you all of the products I use, I had to mention this one.
Sleep. This sometimes elusive skincare “product” is just as important as the rest. Even if I am doing everything else right, if I’m not sleeping enough, my skin does not look its best. I realize we can’t all regularly get as much sleep as we need, but lack of sleep does affect how your skin looks. I have to mention it because if you’re only clocking a few hours of sleep most nights, I don’t want you to say “I’m using all of the products Allison said and my skin doesn’t look good!” and think it’s my fault.
I obviously have a post about sleep too. I have an opinion on everything.
Supplements & A Clean Diet. I’m not a medical professional (although I have referred to myself as an “amateur doctor” before), but I do think what you put inside your body has as much of an impact as what you put on your skin. For example, I don’t mess with too much sugar because it makes me feel like shit. When I do, I not only feel gross but the fine lines around my eyes are more pronounced the next day. I don’ think I’m imagining that, and studies do show that sugar can break down collagen, aka accelerate the formation of lines and wrinkles. You mean the very things I am trying so hard to avoid?!?!
In general, I’ve found that when I take the supplements I personally need (fish oil, iron, probiotics, multivitamins and some stuff that helps with hormonal issues I was born with), I feel better. When I physically don’t feel well, it shows up on my face. Think about it. What does someone’s complexion look like when they are ill? Bright and glowy, or pale and dull-looking?
I was a vegetarian for six years (ages 12 – 18) and my skin did not look great. I wasn’t breaking out, but my skin was sallow and my undereye circles were even darker than they normally are. Turns out my body thrives on protein and iron, and I wasn’t able to get the amount I needed from a plant-based diet. Although I would prefer to not eat meat, I didn’t feel great–and my skin showed that–when I was, so I had to make the change.
My point is, finding the right combination of foods and supplements (if that’s your jam) helps you have a healthier system, and your skin is included in that.
Wow, you made it through this whole post? Congratulations! I hope you have found it helpful. I know it may sound like a lot, but it’s not that bad. The total time needed for my evening routine (not including the wait time in the Trentinoin process, which I detail in the post linked in the Retinoids section) is maybe 15 minutes. In the morning–normally just hylaluronic acid, moisturizer and sometimes sunscreen–it’s around five minutes. It probably took you longer to read this post that it takes for me to do my morning routine. I barely even count my bi-weekly mask time, as it takes about 30 seconds to apply it and maybe three minutes to thoroughly wash it off. When I do a facial massage with the Josie Maran Argan Oil, that can take 15 minutes, but I do that while watching something, so it’s multi-tasking. Extractions are on an as-needed basis, and that’s an under-ten-minutes process as well.
The hardest parts of getting into a skincare routine are finding the products that work for you and then getting into the habit of using them. And sorry, but there is no shortcut there. Hopefully my recommendations have helped, but actually doing the routine is on you.
If you have any questions, comment away. I am here for you and your skin.