Just Throw It In The Bag

The best makeup bag that ever did it, courtesy of my fly friend, Necia.
The best makeup bag that ever did it, courtesy of my fly friend, Necia.

It’s been a while since I’ve told you what I have in my personal makeup bag, so I’m sure you’ve been patiently waiting for this post. I’ve done a few of these posts over the years, and some of the products in my bag have never left me (except to be replaced by new, full versions of themselves). Others are new to the crew and may or may not make the cut.

Here’s what we’ve got.

FACE

Neutrogena Oil Free Moisture SPF 15. This moisturizer is affordable, gentle and great for normal to oily skin in the warmer months. I usually switch to a richer moisturizer for the fall and winter when my skin gets dry and flaky, but I don’t know if I’ll need to do that now that I use face oil. Time will tell. Until then, I’m sticking with this tried and true product.

MAC Face & Body Foundations in C2 & C5. I use a mixture of shades C2 and C5, depending on how much self tanner I have on. I absolutely love this sheer foundation (which can be built up to medium coverage by simply rubbing it into the skin for longer). I also sometimes use the darker C5 on my ghostly legs because I don’t feel the need to make people aware that I’m 25% Irish. My freckles and propensity to Irish goodbye a party take care of that.

Laura Mercier Foundation Primer. This is still the best primer I’ve ever tried. I use this when I know the makeup I put on at 6:00am needs to stay strong into the evening. Laura Mercier also makes hydrating and oil-free versions of this primer for dry and oily skin. If you want your makeup to last all day, you have to use a primer. There is no way around that. I think it’s actually a law in most states.

Make Up For Ever Sculpting Kit in Shade 2. Shade 2 of this powder highlight and contour duo suits my light (but not super fair) skin. I’m not big on highlighting my own face, so the contour powder gets more love. I don’t like a strong contour, but I was in the wrong line for “good bone structure” when features were being given out, so I can use a little help. (I did, however, accidentally get in line twice for “tiny feet” and “thick hair.”)

MAC Powder Blush in Pink Swoon. This matte, soft candy pink powder blush really brightens up my face. I use this particular shade on a lot of clients too. If you are tired, sick or hungover, an even skintone and a pop of pink blush will make a world of difference. So unless you are a teetotaler who always gets eight hours of sleep and never even catches a cold, you should have good pink blush in your makeup bag.

Benefit the POREfessional. This pore minimizer is a must for She of the Large Cheek Pores. I also use it to blur the slight forehead lines that have developed in the past few years (from wisdom, obviously.) I have been buying this product since it came out and I don’t intend to stop. If you have no visible pores or lines on your face, you probably don’t need POREfessional. Also, we can’t be friends.

Clarins Multi-Active Broad Spectrum Sunscreen SPF 20. I don’t use this every day, but if I’m going for a walk or run during the day in the summer, I apply it first. It doesn’t leave a white cast (my sunscreen pet peeve) or break me out like many others. But it does smell similar to the Raid I once used to kill a bee from 10 feet away (I’m allergic and it was in my house! Not sorry), so I get a little flashback anxiety when I put it on.

Rimmel Stay Matte Powder in 001 Transparent. This pressed powder has been with me since AB Beauty makeup artist, Jen, recommended it to me. It does a good job of setting my foundation and eliminating shine without caking. I would like it even more if I didn’t consistently drop and break the cover within two weeks of buying it. That’s not Rimmel’s fault though. That’s on me, rushing around in the morning and knocking things over with my butt (apparently I got in line for that twice as well).

MAC Pro Longwear Concealer in NW20. My undereye coverage godsend. This stuff masks my dark circles, lasts for hours and doesn’t cake. I use this concealer on clients as well for those reasons. It’s not thick or dry and as long as you prep the undereye with a little moisturizer first, it applies smoothly. It’s a real winner.

Charlotte Tilbury Mini Miracle Eye Wand. I usually use the MAC Pro Longwear Concealer for undereye coverage, but this two-sided pen–moisturizer to prep the area, concealer to do its thing–saves me about 10 seconds because it’s an all in one. I sometimes I feel like that will make a difference in my day. You either know exactly how I feel or think I’m crazy for saying that, but either way, I’m doing it.

Tarte Rainforest of the Sea Marine Boosting Mist. Someone gave me a sample of this spray which is supposed to be a primer, setting spray, hydrating mist and skin refresher. That’s too multi-use for me to believe, so I use it as a skin refresher. That means I spray it on if I think my foundation is looking cakey (not Face & Body, but sometimes when I try a new one). It helps dilute the foundation so it doesn’t catch on dry patches. I won’t buy a new one when it runs out, but it’s nice to have until then.

EYES

Too Faced Shadow Insurance. My Holy Grail of eye primers. Without this, my eyeshadow fades and creases within hours. (One more thing I got in line for–oily eyelids.) Whenever I do my eye makeup without applying this first, I regret it.

MAC Eyeshadow Quad. I bought a MAC empty quad duo and filled it with Brun, Espresso, Wedge and Brule (all matte formulations). Brun is a muted blackish brown I use for shadow liner and to fill in my brows; Espresso is a muted golden brown I use for the lid, outer V or as a shadow liner; the soft beige taupe Wedge is my crease go-to color but also sometimes my all-over lid color and Brule is a light creamy beige shadow I use on my lids. These four shades work well with my brown eyes, which I like to pretend are hazel.

MAC Eye Kohl in Costa Riche. This dark brown shade of pencil liner has red undertones, which help bring out the green in my eyes. (The other thing that somehow makes them look more green is crying, but that’s not as pretty.) I’ve been on the hunt for the perfect brown pencil eyeliner since Topshop discontinued my beloved Sable, and Costa Riche is my latest attempt. It goes on smoothly–no tugging on the lid–and is easy to blend out, as a kohl liner should be. Plus, I love that it brings out my green like Sable did (it had tiny reddish glitter flecks which did the job). I haven’t experienced any undereye smudging or crease transfer and the color payoff is great, as is the case with most MAC products. I wish it was maybe a tiny bit darker, but that’s a preference thing, not a product downside.

Dior Diorshow Mascara. This is my true homegirl of makeup products. Maybe we don’t talk for a bit (aka I try a new mascara) but we always reunite. She is simply the best. And I know Diorshow is a She because a He mascara would be much more flaky and wouldn’t stay around as long.

Clinique High Impact Extreme Volume Mascara. This is my current top layer and bottom lash mascara. I like how black and inky it is, but it does sometimes smudge a tiny bit under my eyes. I generally really like Clinique mascaras for my top layer and bottom lashes, so I’ll try a different one next.

Ardency Inn Punk Eyeliner. I’m not usually a liquid eyeliner gal, but someone gave this to me so I’ve been using it. It’s a liquid liner pen with a hard tip. It’s more of a gray black than an inky black, which I don’t care for. It doesn’t move once it’s dry, but it also fades quickly. Once I’m through with this one, we’ll part ways. (Also how I approach dating.)

Topshop Waterproof Eyeliner in Ebony. “Blackest black pencil eyeliner and waterline best friend.” That would be this eyeliner’s epithet. If I’m being honest, the liner splits its time between my makeup bag and my handbag, because waterline eyeliner is something that needs to be touched up. It’s waterproof and sets quickly so I don’t like it for lashline liner (I like something I can smudge a little), but for the waterline, it’s bomb.

MAC Chromographic Pencil in NC15/NW20. It’s technically an eyeliner pencil, but I’m also technically in my mid 30s and have blue streaks in my hair, so I’m not really one for doing things the way you’re supposed to. I use this off-white color on the waterline to make my eyes look bigger or more awake. True white is too obvious, but off-white gives the desired effect in a natural way.

LIPS

Too Faced Lip Injection. I have very little top lip to speak of. So when I want to temporarily make my lips fuller and am in the mood to endure five minutes of stinging, I apply this plumping gloss. Say what you will, but this ish works. It has a rosy tint to it, which I don’t love because straight rosy tones don’t look great on me, but I apply the color I want after the Lip Injection has absorbed.

Charlotte Tilbury Lip Cheat in Pillowtalk. There is something about this pinky-peachy nude lipliner that allows me to slightly overdraw my lips without looking cray cray. The shade and velvety texture work better on me than any other lipliner I’ve tried. It’s a keeper or, as Charlotte herself would say, it’s “divine.”

NYX Soft Matte Lip Creme in Istanbul. This was an impulse buy at CVS. You know, when you go in for contact solution then you see what looks like the petal pink lip color you’ve been after for years. It turns out it wasn’t the exact color I thought it would be once it was on my lips, but it’s still decent. I find it to be a little too drying and slightly sticky, so I mix in a tiny bit of Glossier balmdotcom to make it more comfortable to wear.

Clinique Chubby Stick Intense in Heftiest Hibiscus. I had a client who was looking for a specific lip color for her wedding day, but it needed to be in a moisturizing formulation because her lips get dry easily. I knew Chubby Sticks had a good reputation for being comfortable to wear and I saw one in the color she loved so I grabbed it. I also grabbed one in Heftiest Hibiscus, a pinky red, for myself. I don’t operate on a one-for-you-one-for-me philosophy–I would have never turned a profit as a freelance artist if I did that!–but I needed to make sure the formulation was comfortable to wear. So I tested mine out for a couple weeks and it passed the test. I really love this product and will definitely re-purchase it when I run out.

Revlon Colorburst Lip Stain in 040 Rendezvous. This is one of my summer go-to colors. It’s on the orange side of coral, so I use it when I want to brighten up my look. Crayons are easily to apply, and this formulation is comfortable to wear. No complaints here.

Korres Lip Crayon in Delight. And then sometimes, I want a light pink shade. This one delivers on that desire, and I do wish it hadn’t been discontinued. Life can be so disappointing…

Lipstick Queen Rouge Sinner. This baby is my go-to fall red. (My summer red, MAC Lady Danger, is still in my purse, because I’m holding on to the last days of summer.) It’s what I call a vintage red. It’s got a slight rose tone to it, but in a muted way. If it was 1948, this color would be sold out everywhere. Every LQ lipstick I’ve ever tried is long-lasting, pigmented, non-drying and has beautiful packaging. Owner Poppy King truly knows lipstick.

Tom Ford Lipcolor Sheer in 10 Rose Soleil. My cousin, Saint Maria, gave me this beautiful rose pink that’s shot through with shimmer. It’s the perfect every day polished-but-not-high-maintenance lipstick. I love how it looks layered over the Pillowtalk lip liner (as I mentioned, pure rose doesn’t look great on me but works when it has other tones mixed in). And I want to live inside that white with gold-trimmed packaging.

That’s it (for now). I realize I have more products than the average person, but what did you expect? If this post only included a tube of Maybelline Great Lash Mascara and a Clinique lipstick I bought in college, my clients would be in trouble. Part of being a good makeup artist is trying new products. The ones that pass the test get purchased (brand new, of course) and introduced to a million new friends in my pro kit. The ones that don’t pass the test get tossed in the trash, never to be spoken of again.

Maybe this post will help you if you are looking for new products for your own makeup bag or will inspire you to take a good hard look at what you currently have. Or maybe it will help you kill time waiting at the dentist’s office. Either way, thanks for reading.

Have a beautiful day 🙂

Song that played in my head as I wrote this: https://youtu.be/zJOeXh6HyvU

 

1990s Beauty

Ah, sweet victory. It was late August of 1994 and I had won the biggest battle of my life so far: my parents had finally allowed me to wear makeup to school. And wear it I did. I did not go with a “no makeup-makeup” look. I had been stocking up at CVS for years and I was ready to show the world that I was someone who could and would wear makeup (and lots of it). The 1990s was my new favorite decade.

This Beauty Decades post is the first one I can write about from experience. I was born in the 80s but as a child, I didn’t really know what was going on with hair and makeup trends. (Which is fine, because I wouldn’t have wanted my formative beauty years to be based in 80s looks.) But my teenage years–aka when you try all the makeup and make all the mistakes–were in the 90s, a decade that my brain still thinks was about 8 years ago.

In the early 90s, matte makeup was the thing. Brown and wine colored lipsticks were in (I’m looking at you, Revlon Coffee Bean and Blackberry), and lipliner was a must. I’m talking two-shades-darker-than-your-lipstick lipliner. There was also a trend of wearing dark lipliner with a light beige lipstick and I was definitely feelin’ that one. By the late 90s, lipsticks were frostier and lip glosses were everywhere.

Foundations had improved since the 80s, but the majority of them still had a pink undertone. Although more and more formulations hit the market every day, they were usually matte and medium or full coverage in the early and mid 90s. Tinted moisturizer become popular in the late 90s, finally giving an option to women who wanted some coverage but not a full face of foundation.

Blush didn’t get much love in the 90s. It was probably because most of it had been striped on people’s cheekbones in the 80s, or maybe snorted up by accident.

Early 90s eyeshadows were primarily warm matte browns. Black eyeliner was the go-to color. In the mid to late 90s, shimmery white and opalescent shadows were popular, particularly with teens and young women. And if you went to high school between 1996-2000 and claim that you never wore white eyeliner on your top lashline, you’re lying.

Colored mascara had its moment, but other than that, there wasn’t a huge emphasis on lashes. False lashes were not popular and although lash extensions were invented in 1916, they didn’t hit the mainstream market until after the 90s.

Thin eyebrows were the bomb in the 90s. Sure, you saw the occasional Cindy Crawford full and arched brow, but most were tweezed into thin little lines. It personally was too much work for me to get my brows that thin, as they are robust, Italian brows, but looking back at my photos from middle school and high school, I see that many of my friends were tweezer-happy. Brows got thicker and more stylized in the late 90s but were still on the thin side, at least compared to today.

Bronzer of the Oompa Lompa variety was popular in the mid to late 90s. A rise in the popularity of tanning booths soon followed. Those evil machines have been the cause of so much skin cancer and skin damage and are surely one of the most deadly and damaging beauty trends of the 20th and 21st centuries. I understand the desire to look tan and I definitely went in tanning booths before proms and spring breaks. But I didn’t know how bad they were, and I cringe at the thought of them now. On the positive side, this obsession with looking tan forced the market to create better self tanning products, bronzers and the spray tan. Jergens Natural Glow was created in the 90s and it’s still a popular product today.

The grunge scene had a huge impact on makeup, particularly in the early 90s. It was all about dark, thick, smudgy eyeliner rimming the eyes and in the waterline and greasy or bedhead hair. Mascara was swiped on like the wearer was in a rush to go to a Pearl Jam concert. If foundation was used it was the same color or slightly lighter than skintone. Blush and bronzer did not exist in this world. Lips were either bare or dark and matte.

The hip hop culture of the 90s heavily influenced the beauty and fashion worlds (at least in my life). Dark lipliner around the lips filled in with light lipstick was a big look, as Kim Mathers can attest to. The black pencil eyeliner at the lower lashline was about the same thickness as the popular over-tweezed brows. High, tight ponytails gave an instant facelift. Curls were gelled to within a crunchy inch of their life.  Baggy jeans and a tight top or an oversized Fila or Looney Toons t-shirt really brought the look home, in case you want the full picture.

Skincare became more important in the mid to late 90s. Facials and spa treatments–once reserved for wealthy women only–became more accessible. Estheticians and dermatologists were frequently interviewed for magazine beauty articles and the general realization that good skincare was key emerged.

Nail polish was big in the 90s. Hard Candy and Essie were crazy popular and the Chanel Vamp shade was often sold out. Deep, dark colors were in but really any matte color had its moment. Acrylic nails and French manicures were for the classy ladies. And you want to put some rhinestones on those claws? Do it to it, homegirl.

Streaky highlights were so 90s. The Rachel, the cut Jennifer Aniston had on Friends, was everywhere. Frosted tips on short hair–for women and men–were in. Zig zag parts were super popular, as were plastic accordion headbands and blingy (I hate that word) barrettes. In the early to mid 90s, there were a lot of scrunchies and baby barrettes being sold.

I think the 1990s is when our culture became truly celebrity-obsessed, which had a major impact on the beauty industry. Between magazines and the new Internet thing, people were seeing more celebrity faces outside of film and television. Celebrity endorsements of beauty products became commonplace and instead of models on magazine covers, you saw actresses. In interviews in women’s magazines, it was pretty standard that an actress would be asked about her beauty routine. Whether she answered honestly or not was one thing, but you better believe if Jennifer Lopez said she used a certain bronzer, that company’s sales were about to go through the roof.

As cheesy as some of the looks were, 90s beauty was in my opinion–which is correct–a lot better than 80s beauty. It was more flattering and less-in-your-face than the previous decade and product technology improved in a huge way over those 10 years. There was a marked difference between the foundation choices available in 1999 versus 1990.  And the beginning of the shift towards taking care of your skin instead of just using makeup to (try to) hide imperfections and damage was a game changer.

I hold a special place in my heart for the 90s, my coming-of-age years. This was when my childhood love for beauty products blossomed, as I finally had a small income and was allowed to wear makeup to school. Most importantly, I was able to experiment with different looks. The past few decades had made this possible. If I was a teen in the 40s, I would have had pretty strict rules about which colors to wear, which haircut was best for my face shape, how much makeup a “classy” girl wore, etc. But the country changed in the 60s (read about it here http://wp.me/pZuuY-v1), allowing women to have some choice over a lot of things, including how they looked. That continued into the 70s (http://wp.me/pZuuY-vB), where the free-spirited hippy and later disco cultures encouraged people to play around with their looks. That brought us into the 80s (http://wp.me/pZuuY-AJ), where self expression and an anything-goes take on colors was the norm. I’m grateful that I grew up in a decade where I had the freedom to try different looks and figure out what worked for me. (Frosted blue lipstick and shimmery lilac eyeshadow does not.) So thank you 90s for this and for what I consider the Golden Age of Hip Hop.

Have a beautiful day 🙂

 

 

 

Product Review: Revlon ColorBurst Balm Stain Review

You know that accessory you have that makes every outfit instantly look better? (Mine is a Biggie Smalls necklace.) The makeup version of that is a bright or intense lip color. I personally go for bright over intense, because with my light skin and black hair (with blue at the ends) anything vampy or dark makes me look like Elvira. I love the idea of a vampy look and am a huge fan of an oxblood or black cherry lip on a blonde or redhead, but on me, bright usually works better.

To get my bright lip fix, I used to automatically go for orange reds, like MAC Lady Danger. But a while back, my cousin, Saint Maria Goretti, gave me a Revlon ColorBurst Balm Stain in Rendezvous, a pretty coral (more on the orange than pink side of coral). It instantly turned me into a coral lip girl. Rendezvous has become a staple in my personal makeup bag. I wear it at least once a week. I find myself reaching for it when I either a) Don’t have much time but want to look like I put effort into my look or b) Am feeling blah and need a pick me up.

Circumstance A happens a lot when I’m crazy busy working on a shoot or during wedding season. During those days or months, I don’t have much time to put on makeup. But Rendezvous, in combination with my My Super Quick Everyday Look, makes me look pulled together even when I’m so busy I don’t know what day, month or year it is (I’m not exaggerating–I once thought it was August in November). In case you missed it, here’s how I do my Super Quick look: https://allisonbarberamakeup.wordpress.com/2015/04/09/my-super-quick-everyday-look/

Circumstance B happens for most of the winter. When it’s mid-February and there is no end in sight to the short days, daily snowstorms and bitter cold, I have to fake myself into thinking summer is near or I risk losing my shit completely. When I’m on the verge of a seasonal breakdown, I often bring out the Jergens Natural Glow, a turquoise eyeliner or now, my Rendezvous Balm Stain. I do this in hopes that my summer makeup fools my brain into thinking it’s warm out, even if only for two seconds.

The ColorBurst Balm Stain is a gel formulation. Rendezvous has a sheen to it and feels pretty moisturizing. You can easily build up the coverage, and the color payoff is good. It’s reasonably long-lasting, which surprised me as even decently longwear products can be tough to find at the drugstore level.  This is one of those big lip crayons, like a Clinique Chubby Stick, so you’re not going to get a precise line with it. (I like more of a blurry line on my own lips, because I think it makes them look bigger, so I like this aspect.) When it starts to wear down, you just twist the top to bring more product up.

I found this to be an easy, wearable and inexpensive (retails between $6.80-$8.99) lip product. This particular shade may not be for everyone, but they have several colors in the line. Even if you are not usually into a pop of color on your lips, why not give it a try? It’s spring time–have some fun! 😉 I think it really is worth experimenting with a brighter lip color. The right color can brighten up your face and bring out your eye color. And if you buy it at CVS, you can return it as long as you have the receipt. So you have nothing to lose! At least consider it for me, would you?

Have a beautiful day 🙂

1950s Beauty


Ava GardnerAudrey Hepburn Debbie Reynolds Elizabeth Taylor Grace Kelly Jayne Mansfielddoris_day_1955-226x300Marilyn Monroe

The 1950s saw a boom in economic prosperity and business. America had proven to be a major world power in the past 50 years, and times were good (well, if you were a middle class or wealthy white male, anyway.) In terms of beauty and fashion, the 1940s, especially during the war, were very understated and no-nonsense for the average woman. In the 1950s, a huge increase in  marriage and birth rates turned the American woman’s focus back to being a wife and mother. Not just a wife and mother, but a model wife and mother.

The 1950s, more than any past decade, were about being the perfect housewife. There was an strong focus on femininity. Influenced by the pin up girl look, clothing was about creating the illusion of a narrow waist and a high, rounded bust. Corset-like undergarments became popular again. Women wore heels, not flats, even around the house (at least while their husbands or guests were there). Those stilettos meant there was a lot of baby-step walking going on. Dainty and ladylike was the ideal.

Makeup, seen as visual indicator of femininity, was not used sparingly. Most women used cream, liquid or pancake foundation, flesh toned setting powder, blush (then called rouge), eyeshadow, eyeliner, eyebrow pencil, mascara, lipliner and lipstick. If primers and setting sprays had been around in the 1950s, you can bet those women would have included those in their daily regimens.

A pale complexion was en vogue, and the idea was to create and mask-like base. Rouge–usually soft peach or pink–was used sparingly. Lipstick was often a bold or bright color. Pink reds, true reds and corals were the most popular. The average woman used lipliner to follow their natural lipline but some actresses slightly overdrew their top lip. Women often matched their nail polish to their lipstick. The most common nail shape was oval, and long–but not too long–fingernails were considered classy and ladylike.

Eyeshadow was applied just to the lids, with contouring mainly used on actresses. Pastel shadows, particularly blues and greens, were popular. Frosted shadows entered the market in the late 50s. Eyeliner was normally black or brown and applied in a winged out line at the top lashline. The thickness of eyeliner lines varied, with the more natural look women tending towards thin lines and a smaller flick. Lower lashline eyeliner was not popular. Tube mascara was invented, although some women still chose to use cake or block mascara, which was applied with a small brush. Mascara was applied to top lashes, but not usually to the bottom lashes.

Eyebrows were thick to medium thick. They were groomed and generally highly arched, tapering at the ends. The inner corners were sometimes rounded, sometimes squared off. Some women preferred the thick, straight across brow a la Audrey Hepburn. No matter which brow shape they chose, brow pencil was often used to darken or thicken.

Revlon, Max Factor and Pond were the leaders in the beauty industry (in what we would today call the drugstore sector). Estee Lauder, Elizabeth Arden and Helena Rubenstein were the big luxury product lines.

1950s hair was typically very “done”–the opposite of today’s desired beachy waves and bedhead looks. There were several popular looks. Shorter hair (chin length or above) was most common. The Italian Cut, inspired by Sophia Loren and Gina Lollobrigida, was a short, structured cut with soft curls. High ponytails, with the ends often flipped out, were all the rage with teens. Pageboy or brushed under bobs were considered classy, while the gamine or pixie cut was more edgy. The bouffant became popular in the mid 50s, but didn’t reach the height of its popularity–pun intended–until the early 60s. Chemical relaxers became more readily available in the 1950s, which popularized straight hair for African American women. The 50s had one interesting hair fad that I was unaware of–temporary gold and silver streaks.  Metallic powders or spray were used to create these. Fake hair pieces for chignons and other styles also had a spike in popularity.

Hollywood actresses continued to have a major influence on hair and makeup looks. There was a divide between the looks of the decade–I call it The Good Girl vs The Bad Girl. On the Good Girl side of the spectrum, you had the more natural, girl-next-door actresses like Debbie Reynolds and Doris Day. Blonde Good Girl, Grace Kelly, was the ultimate in understated but elegant glamour. Audrey Hepburn was the brunette Good Girl, girl-like but womanly at the same time. Elizabeth Taylor was more of the glamorous Good Girl. On the Bad Girl side of the spectrum, you had the gorgeous Ava Gardner (she’s kind of my favorite), drinking, swearing and having a scandalous affair with and then marriage to Frank Sinatra. Italian star Gina Lollabrigida had that temptress thing going for her, and Jayne Mansfield did the blonde, sex kitten version of it. While the Good Girls wore pretty dresses that nipped in at the waist and flared at the hips, the Bad Girls favored styles that hugged the body. Marilyn Monroe had a look all her own. She was more done up than a Good Girl, but not as overtly sexy as a Bad Girl.

If I had to chose a word to sum up the look of the 1950s, it would be feminine. Whether a look was done in a cute, girl-next-door way, an elegant understated way, or a sultry, glamorous way, it was womanly and polished. At least one of these looks will speak to you, so why not give it a try?

Have a beautiful day 🙂

 

 

 

 

All I Want For Christmas Is…

I recently got a request to do a Christmas Wish List of beauty products (thanks, Erika Milliun!). Great idea, right? I’ve included essentials that I’ve mentioned over and over again, awesome products that I use but haven’t talked about, and ones that I’ve heard great things about but haven’t tried yet.

Here we go!

1.)  Too Faced Shadow Insurance Eye Primer: I won’t put eyeshadow on a bare lid because it usually won’t stay. I consider eye primer to be an absolute essential, and this is the one I reach for most often. It helps shadows and liners stay on, stops shadows from creasing, and covers any tiny veins or discoloration on the lid.

2.) Illamasqua Liquid Metal Eye Color in Solstice: This highly pigmented cream shadow is perfect for the holidays. It’s hard to find a gold shadow that’s pigmented and long-lasting, but this meets both important criteria. If you want to try something new and fun for a holiday party or night out, but are afraid to go for a bright color, you’ll love this.

3.) NARS The Multiple in Copacabana: Use this shimmery pearl highlighting stick on eyes, lips, or cheeks (just not all at once!) for a pretty glow.  I love doing a holiday party look with red lips, silver eyeshadow and Copacabana on the cheekbones.

4.) Make Up For Ever Lash Fibers I haven’t used this product, but I heard a positive review from a trustworthy source–and I adore this company–so I’m going to recommend it.  It’s a white mascara-like product that you apply before your mascara.  It lengthens and thicken the lashes, so the mascara adheres to that.  And who doesn’t want bigger lashes?

5.) MAC Pro Longwear Fluidline in Blacktrack: Consider this black gel liner to be like your favorite pair of jeans.  It’s a classic that you can wear with lots of different looks. It goes on smoothly, stays put and the little jar will last you a while. Just make sure to close it tightly each time so it doesn’t dry out.

6.) Revlon Super Lustrous Lipstick in Blackberry:  This is the time of year to go for berry lipcolors, so give it a try! I’ve found this shade to be flattering on most people and you can’t beat the price. So if darker lipcolors are out of your comfort zone, at least you can try it on the cheap (and if you buy it from CVS, just return it if you don’t like it–they accept even opened makeup returns).

7.) Tarte Cheek Stains: You know that flushed cheek look you get from being outside in the winter?  Well, you don’t have to freeze your ass off to get it. These gel blushes give you that same look, with a variety of shades to choose from. And since you only need a little bit, it lasts for a long time.

8.) Make Up For Ever Ultra HD Invisible Foundation: This is a great one for your wish list because not only is it the best foundation I’ve ever used, but it’s a little pricey and I know it can be hard to justify spending money on yourself during the holiday season. So let someone else get it for you! This liquid foundation gives amazing coverage, feels like nothing and photographs and films beautifully.

9.) Dior Diorshow: My name is synonymous with two things: Biggie Smalls and Diorshow. So for me to not include my favorite mascara on this list would be blasphemous. Basically, it’s the bomb. Long, full lashes, no smearing, flaking, or smudging.  Just get it alreadyyyyy.

Hopefully you’ve been a good girl this year and you get everything you ask for. Because if all you get is coal in your stocking, I can’t help you.  Kohl liner, however, is a different story…

Happy Holidays! Have a beautiful day 🙂